Li Tang, a graduate of the Music Department of People’s Liberation Army Academy of Art and a former solo performer in the PLA Song and Art Ensemble in Beijing. She later studied from Professor Raymond Nilsson, former chief tenor in Royal Opera House,
Li is now professor in the Voice and Opera Department, postgraduate supervisor, director of the Voice Teaching Group and gives lessons of vocalization techniques and performance of Chinese and foreign musicals. She also has rich stage experiences, such as Concert for Gustav Mahler’s 150th Birthday (soprano solo) in Italy, performance of “Rückert Lieder” in cooperation with Shanghai Oriental Symphony Orchestra, 2012 Christmas Concert—Li Tang and Her Friends, musical “Love in the Sky” (leading heroine), performance in Haifa Symphony Orchestra 2014, etc.
Li is a member on Teaching Committee of China Society for Musical Studies and musical consultant of its base in Hangzhou. She was also selected as Excellent Teacher of the SHCM in 2016.
Dr. Li Xiaonuo is a researcher of the Shanghai Conservatory of Music, Party secretary and deputy director of the musicology department, master supervisor in analysis of music works and music aesthetics psychology, postdoctor at the School of Psycholo
Research field: analysis of music works and music psychology
Courses: music psychology, music aesthetics psychology, aesthetics psychology in music practice and research on Western music genres.
Liao Changyong, vice president of the Shanghai Conservatory of Music and director of the Vocal Music and Opera Department of the SHCM, was a student of Professor Zhou Xiaoyan, a famous Chinese opera singer and music educator. Liao is also a high-rank
He has won top prizes in major singing contests both at home and abroad, especially between 1996 and 1997 when he won three first prizes in the 41st International Singing Competition of Toulouse, Domingo World Opera Competition and Queen Sonja International Music Competition. His remarkable performance won applaud from world music circles and he started his cooperation with opera great Placido Domingo since then.
He has been touring around the world to perform with opera great Placido Domingo, José Carreras and Ruth Ann Swenson successfully. His perfect singing won him a high status in the international opera circle.
Liao Changyong has acted leading roles in numerous opera classics, including The Barber of Seville, Rigoletto, Don Carlo, Carmen, Faust, Camille, Trovatore and A Masked Ball. And he has won medals, awards and honors awarded by China, Shanghai, USA, Belgium, etc. He has been devoted to the creation and performing of Chinese original operas and art songs in recent years. He joined the 2016 G20 Summit as an outstanding talent of China.
He is now a deputy of the National People’s Congress, a member of the Education, Science, Culture and Public Health Committee of the 12th National People’s Congress, vice chairman of Chinese Musician Association, vice chairman of the Shanghai Musician Association, a member of the leading group of Shanghai Literary Federation and vice chairman of Chengdu Literary Federation.
Lin Hongming is director of the Art Management Department and guest professor of the Shanghai Conservatory of Music. He is also a guest professor of the Central Academy of Drama, a judge of Wenhua Award of the Ministry of Culture and Shanghai Literat
Lin has been working in art and culture management for over 30 years. He served successively as office director of the CPC Shanghai Culture Bureau Committee, general manager and Party secretary of Shanghai Peking Opera Theater, Party secretary and executive vice president of Shanghai Opera House, and the first general manager of Shanghai Oriental Art Center.
Lin has published dozens of articles on newspapers, magazines and books. He was the editor-in-chief of Ten-year Collections with 600,000 characters. He taught courses of organizational behavior, secretary psychology, strategic management and art marketing.
His study focuses on the practice and theory of art management, the comparison and analysis of entertainment markets in China and foreign countries, artistic communication and audience psychology.
Liu Hong, a Chinese-American, is doctor and post doctor in ethnomusicology, professor of the Shanghai Conservatory of Music, doctor supervisor, deputy director of SHCM China Ritual Soundscapes Research Center, associate editor of SHCM journal Da Yin.
Research field: ethnomusicology and Chinese traditional music.
Courses: musicology thesis writing, native religious music and folk songs, analysis of Chinese traditional music forms, Chinese Traditional Music (in English), thesis writing for post graduates